ไฟล์เสียงปลอดค่าลิขสิทธิ์ 10,156 ไฟล์สำหรับ "Drum And Bass"

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

9/8 drum pattern.

3/4 drum pattern.

Four on the floor on the high hat.

I was able to amalgamate some audio together from the amen break to make it sound like the ride cymbal is actually longer than it actually is.

A short drum loop with a distinctive "low-fi" and "raw" feel. Could work well in a drum and bass or hip-hop project. Recorded live with a zoom h2n (line input from a soundboard).

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

Lambda mode diatonic scale in Bohlen-Pierce tuning (Just), in an instrument with only odd harmonics.

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Bury Me Out on the Prairie by Bradley Kincaid. I'm not quite sure if this is the Gennett cut from 1928 or if it's a later Brunswick recording. Bury Me Out on the Prairie von Bradley Kincaid. Es ist nicht sicher, ob dies die Gennett-Aufnahme von 1928 oder eine spätere Brunswick-Einspielung ist.

Islamic State of Iraq and the Levant anthemΕλληνικά: Ο εθνικός ύμνος του Ισλαμικού Κράτους

Early to Bed

Septimal major triad (14,18,21) on C (C,Eㄥ,G).

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

*Classic diminished fifth on C = G♭. 36:25 = 631.28 cents. Limit: 5-limit. MIDI pitch bend: 1,74 MIDI.

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Just augmented second in just C scale: A♭ and B.

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

*Eleventh harmonic inverse on C = G↓. 16:11 = 648.68 cents. Limit: 11-limit. MIDI pitch bend: 74,79

Grave whole tone on C (D--), 800/729, 160.90 cents.

Major chord on C in just intonation (1/1, 5/4, 3/2).

*Tridecimal 5/4 tone on C = D♯. Just: 15:13 = 247.74 cents. Limit: 13-limit.

Septimal augmented sixth on C. A♭. 1003.8 cents.

D, F, Ab = C, Eb-, Gb-

The traditional folk song Frankie and Johnny, performed by Gene Autry

(none)

Golden ratio approximation: 233 : 144, 833.11 cents.

Wagner - Leitmotiv des Wälsungs

Recording of music written by Frederic Chopin

*Single note of just BP diatonic scale on C = A. Just: 7:3 = 1466.87 cents. Limit: 7-limit.

The theme song from the 1940s Superman cartoon

Elias Goldstein Viola, Christina Lalog Piano. Paganini-Primrose

Based on the Russian Anthems museum hosted by Vadim Makarov, this is a 1968 USSR Defence Ministry's instrumental rendition of the Hymn of the Union of the Soviet Socialist Republics, conductor N. Nazarov.

Made this beatbox just now. Used audition to record from my webcam mic. I usually have to edit my beatboxing to be perfect, but this time i nailed it, it is looped 4 times though ; ). 请享受.

175 bpm bass loop. Go wild.

An example of a blast beats played in tempos of 120, 160, 200 and 240 BPM. Made with Cubase and Drumkit From Hell. Przykład blast beatów granych odpowiednio w tempach 124, 160, 200 i 240 BPM. Wykonano przy pomocy programu Cubase i syntezatora perkusyjnego Drumkit From Hell. Exemples de blast beats joués aux tempos de 120, 160, 200 et 240 BPM. Crées avec Cubase et Drumkit From Hell.

Another loop i just made because i'm going through a jungle loop phase that will probably last a couple more days. 160 bpm.

Perfect octave on D-sharp, as MIDI.

Wagner, Rheingold, Scene 4

Wagner, Tristan, Liebestod closing bars

Wagner, Parsifal prelude closing bars

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

*Difference between 29:16 (B♭) & 9:5 (B♭) on C = C (Ben Johnston's notation). Just: 145 : 144 = 11.98 cents. Limit: 29-limit. MIDI pitch bend: 107,67

*Difference between 31:16 (B: 1145.04 cents) & 15:8 (B: 1088.27 cents) on C = C (Ben Johnston's notation). Just: 31 : 30 = 56.77 cents. Limit: 31-limit. MIDI pitch bend: 21,82 on PU

Goodnight to You All

Octave on C. 1/2: 1200 cents.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.